Alfred Stieglitz

Hands

1918, tirage palladium, 23.9 x 17.9 cm.
(notamment George Eastman House, Rochester, NY)

Alfred Stieglitz (1864 - 1946)

Photographe américain, ardent défenseur de la dimension artistique de la photographie, et d'ailleurs le premier photographe à être exposé dans un musée. Il dirige aussi des galeries où il expose les grands peintres avant-gardistes européens du moment (Picasso, Matisse, Braque, Cézanne), les faisant découvrir au public américain.
Ses sujets de prédilection: d'abord la ville de New York, puis les nuages (série Equivalent) et surtout sa compagne, l'artiste Georgia O'Keeffe.

Plus d'œuvres d'Alfred Stieglitz.

Henri Matisse

Mimosa

1951, tapisserie (laine), 149,8 cm x 91,4 cm, tirage à 500 pièces

Henri Matisse (1869 - 1954)

Tissée à la machine à 500 exemplaires par Alexander Smith en 1951, la tapisserie Mimosa se base sur un carton - papiers gouachés découpés conçu spécifiquement par Matisse en 1949, avec révisions en 1951. C'est le seul carton que Matisse ait réalisé, et le seul tissage qu'il ait autorisé de son vivant. 
 

Sacred Emily

Compose compose beds.
Wives of great men rest tranquil.
Come go stay philip philip.
Egg be takers.
Parts of place nuts.
Suppose twenty for cent.
It is rose in hen.
Come one day.
A firm terrible a firm terrible hindering, a firm hindering have a ray nor pin nor.
Egg in places.
Egg in few insists.
In set a place.
I am not missing.
Who is a permit.
I love honor and obey I do love honor and obey I do.
Melancholy do lip sing.
How old is he.
Murmur pet murmur pet murmur.
Push $ea push sea push sea push sea push sea push sea push sea push sea.
Sweet and good and kind to all.
Wearing head.
Cousin tip nicely.
Cousin tip.
Nicely.
Wearing head.
Leave us sit.
I do believe it will finish, I do believe it will finish.
Pat ten patent, Pat ten patent.
Eleven and eighteen.
Foolish is foolish is.
Birds measure birds measure stores birds measure stores measure birds measure.
Exceptional firm bites.
How do you do I forgive you everything and there is nothing to forgive.
Never the less.
Leave it to me.
Weeds without papers.
Weeds without papers are necessary.
Left again left again.
Exceptional considerations.
Never the less tenderness.
Resting cow curtain.
Resting bull pin.
Resting cow curtain.
Resting bull pin.
Next to a frame.
The only hat hair.
Leave us mass leave us. Leave us pass. Leave us. Leave us pass leave us.
Humming is.
No climate.
What is a size.
Ease all I can do.
Colored frame.
Couple of canning.
Ease all I can do.
Humming does as
Humming does as humming is.
What is a size.
No climate.
Ease all I can do.
Shall give it, please to give it.
Like to give it, please to give it.
What a surprise.
Not sooner whether.
Cordially yours.
Pause.
Cordially yours.
Not sooner together.
Cordially yours.
In strewing, in strewing.
That is the way we are one and indivisible.
Pay nuts renounce.
Now without turning around.
I will give them to you tonight.
Cunning is and does cunning is and does the most beautiful notes.
I would like a thousand most most.
Center pricking petunia.
Electrics are tight electrics are white electrics are a button.
Singular pressing.
Recent thimble.
Noisy pearls noisy pearl coat.
Arrange.
Arrange wide opposite.
Opposite it.
Lily ice-cream.
Nevertheless.
A hand is Willie.
Henry Henry Henry.
A hand is Henry.
Henry Henry Henry.
A hand is Willie.
Henry Henry Henry.
All the time.
A wading chest.
Do you mind.
Lizzie do you mind.
Ethel.
Ethel.
Ethel.
Next to barber.
Next to barber bury.
Next to barber bury china.
Next to barber bury china glass.
Next to barber china and glass.
Next to barber and china.
Next to barber and hurry.
Next to hurry.
Next to hurry and glass and china.
Next to hurry and glass and hurry.
Next to hurry and hurry.
Next to hurry and hurry.
Plain cases for see.
Tickle tickle tickle you for education.
A very reasonable berry.
Suppose a selection were reverse.
Cousin to sadden.
A coral neck and a little song so very extra so very Susie.
Cow come out cow come out and out and smell a little.
Draw prettily.
Next to a bloom.
Neat stretch.
Place plenty.
Cauliflower.
Cauliflower.
Curtain cousin.
Apron.
Neither best set.
Do I make faces like that at you.
Pinkie.
Not writing not writing another.
Another one.
Think.
Jack Rose Jack Rose.
Yard.
Practically all of them.
Does believe it.
Measure a measure a measure or.
Which is pretty which is pretty which is pretty.
To be top.
Neglect Waldberg.
Sudden say separate.
So great so great Emily.
Sew grate sew grate Emily.
Not a spell nicely.
Ring.
Weigh pieces of pound.
Aged steps.
Stops.
Not a plan bow.
Why is lacings.
Little slam up.
Cold seam peaches.
Begging to state begging to state begging to state alright.
Begging to state begging to state begging to state alright.
Wheels stows wheels stows.
Wickedness.
Cotton could mere less.
Nevertheless.
Anne.
Analysis.
From the standpoint of all white a week is none too much.
Pink coral white coral, coral coral.
Happy happy happy.
All the, chose.
Is a necessity.
Necessity.
Happy happy happy all the.
Happy happy happy all the.
Necessity.
Remain seated.
Come on come on come on on.
All the close.
Remain seated.
Happy.
All the.
Necessity.
Remain seated.
All the, close.
Websters and mines, websters and mines.
Websters and mines.
Trimming.
Gold space gold space of toes.
Twos, twos.
Pinned to the letter.
In accompany.
In a company in.
Received.
Must.
Natural lace.
Spend up.
Spend up length.
Spend up length.
Length thoroughly.
Neatness.
Neatness Neatness.
Excellent cording.
Excellent cording short close.
Close to.
When.
Pin black.
Cough or up.
Shouting.
Shouting.
Neater pin.
Pinned to the letter.
Was it a space was it a space was it a space to see.
Neither things.
Persons.
Transition.
Say say say.
North of the calender.
Window.
Peoples rest.
Preserve pulls.
Cunning piler.
Next to a chance.
Apples.
Apples.
Apples went.
It was a chance to preach Saturday.
Please come to Susan.
Purpose purpose black.
Extra plain silver.
Furious slippers.
Have a reason.
Have a reason candy.
Points of places.
Neat Nezars.
Which is a cream, can cream.
Ink of paper slightly mine breathes a shoulder able shine.
Necessity.
Near glass.
Put a stove put a stove hoarser.
If I was surely if I was surely.
See girl says.
All the same bright.
Brightness.
When a churn say suddenly when a churn say suddenly.
Poor pour percent.
Little branches.
Pale.
Pale.
Pale.
Pale.
Pale.
Pale.
Pale.
Near sights.
Please sorts.
Example.
Example.
Put something down.
Put something down some day.
Put something down some day in.
Put something down some day in my.
In my hand.
In my hand right.
In my hand writing.
Put something down some day in my hand writing.
Needles less.
Never the less.
Never the less.
Pepperness.
Never the less extra stress.
Never the less.
Tenderness.
Old sight.
Pearls.
Real line.
Shoulders.
Upper states.
Mere colors.
Recent resign.
Search needles.
All a plain all a plain show.
White papers.
Slippers.
Slippers underneath.
Little tell.
I chance.
I chance to.
I chance to to.
I chance to.
What is a winter wedding a winter wedding.
Furnish seats.
Furnish seats nicely.
Please repeat.
Please repeat for.
Please repeat.
This is a name to Anna.
Cushions and pears.
Reason purses.
Reason purses to relay to relay carpets.
Marble is thorough fare.
Nuts are spittoons.
That is a word.
That is a word careless.
Paper peaches.
Paper peaches are tears.
Rest in grapes.
Thoroughly needed.
Thoroughly needed signs.
All but.
Relieving relieving.
Argonauts.
That is plenty.
Cunning saxon symbol.
Symbol of beauty.
Thimble of everything.
Cunning clover thimble.
Cunning of everything.
Cunning of thimble.
Cunning cunning.
Place in pets.
Night town.
Night town a glass.
Color mahogany.
Color mahogany center.
Rose is a rose is a rose is a rose.
Loveliness extreme.
Extra gaiters.
Loveliness extreme.
Sweetest ice-cream.
Page ages page ages page ages.
Wiped Wiped wire wire.
Sweeter than peaches and pears and cream.
Wiped wire wiped wire.
Extra extreme.
Put measure treasure.
Measure treasure.
Tables track.
Nursed.
Dough.
That will do.
Cup or cup or.
Excessively illigitimate.
Pussy pussy pussy what what.
Current secret sneezers.
Ever.
Mercy for a dog.
Medal make medal.
Able able able.
A go to green and a letter spoke a go to green or praise or
Worships worships worships.
Door.
Do or.
Table linen.
Wet spoil.
Wet spoil gaiters and knees and little spools little spools or ready silk lining.
Suppose misses misses.
Curls to butter.
Curls.
Curls.
Settle stretches.
See at till.
Louise.
Sunny.
Sail or.
Sail or rustle.
Mourn in morning.
The way to say.
Patter.
Deal own a.
Robber.
A high b and a perfect sight.
Little things singer.
Jane.
Aiming.
Not in description.
Day way.
A blow is delighted.

Gertrude Stein, Geography and Plays (1922)

Vénus anadyomène: Balcomb Greene

La naissance de Vénus

1975, huile sur toile, 127 cm x 121,9  cm, coll. privée

Balcomb Greene (1904-1990)

Peintre américain, d'abord expressionniste abstrait, et l'un des plus importants du mouvement. A partir des années 40, il a commencé à réintroduire des figures dans l'abstraction, avec des détails d'une précision photographique, dans des tons évoquant la mer près de laquelle il habitait. Il sera un des professeurs d'Andy Warhol, qu'il encouragera à suivre sa propre voie.

Quelques œuvres de Balcomb Greene
 

Vénus anadyomène: Odilon Redon

La naissance de Vénus - L'œuf aurique

v.1912, huile sur toile, 143,2 cm x 62.5 cm, MoMA, New York

Odilon Redon (1840-1916)

Symboliste, coloriste, pastelliste. Peintre de l'inconscient et du rêve, qui voulait mettre le visible au service de l'invisible. Proche de Maurice Denis et des Nabis.

Plus d'œuvres d'Odilon Redon.
 

Koloman Moser

Loïe Fuller, Serpentinentänzerin

1902, encre et aquarelle sur papier, 28,8 cm x 45,3 cm, Albertina, Vienne

Koloman Moser (1868 - 1918 )

Kolo Moser, "l'artiste aux mille talents", partisan d'un art total, d'abord actif dans les arts appliqués puis peintre. L'un des fondateurs de la Sécession viennoise, avec notamment Gustav Klimt.
Un article sur Koloman Moser.
Beaucoup d'autres œuvres.

Edward Weston

Feuille de chou (Cabbage Leaf)

1931, tirage argentique

Edward Weston (1886 - 1958)

L'un des pionniers de la straight photography américaine ("photographie pure"), co-fondateur du groupe f/64: une image sans interprétation, objective, sans artifice ni manipulation du négatif, une image qui ne vaudrait que par elle-même. La précision au lieu de l'interprétation; donner à voir l'essence des choses.

Je sentais dans la tête de chou tout le secret de la force vitale, je suis ébahi, je me trouve dans un état d'excitation émotionnelle, et, à travers ma façon de la présenter, je peux faire partager à d'autres la connaissance que j'ai de la forme du chou, pourquoi elle est ainsi et pas autrement, ainsi que sa mise en relation avec toutes les autres formes.

Site officiel.
 

Mikhail Féodorovich Larionov

L'automne

1912, huile sur toile, 136,5 cm x 115 cm, Centre George Pompidou, Paris

Mikhail Larionov (1881 - 1964)

Fondateur du rayonnisme, "concevoir les formes comme des faisceaux de lignes à la manière de rayons lumineux" - "le but de la peinture est de suggérer une 4e dimension, la toile doit donc se situer d'elle-même hors du temps et de l'espace et, pour cela, être composée uniquement de rayons de couleur, non seulement parce que la couleur est la "loi gouvernante", mais aussi parce que c'est sa tonalité et le degré de sa force qui donnent une signification aux formes nouvelles que crée le peintre".

Plus d'œuvres de Larionov.

Pablo Picasso

La Minotauromachie

1935, eau forte et pointe sèche, 49,5 cm x 69,7 cm, Museum of Modern Art, New York

Pablo Picasso (1881-1973)
Autres états de La Minotauromachie

George Barbier

Minuit... ou l'appartement à la mode
1920, pochoir, 25 cm x 34 cm, de l'album "Le bonheur du jour, ou Les grâces à la mode"

George Barbier (Nantes 1882 - Paris 1932). 

L'un des plus grands et des plus populaires illustrateurs Art Déco français. Il contribue à des revues de mode (La Gazette du bon ton, Modes et manières d'aujourd'hui, Vogue, etc.), crée décors et costumes pour le théâtre et le music-hall. Il illustrera de nombreux livres: Baudelaire, Théophile Gautier, Musset, Verlaine,... et réalisera également de nombreuses illustrations commerciales.

L'art selon Kandinsky

L'art, dans son ensemble, n'est pas une création sans but de choses qui se dissolvent dans le vide, mais une force qui tend vers un but et doit servir à développer et affiner l'âme humaine, participer au mouvement du Triangle.


Il est le langage qui, dans sa seule forme particulière, parle à l'âme des choses qui constituent son pain quotidien et qu'elle ne peut recevoir que sous cette forme.


L'art se dérobe-t-il à cette tâche, rien ne saurait combler le vide de cette absence, car il n'existe aucune autre puissance capable de le remplacer.

Vassily Kandinsky